Home Travel Stories News Events Contact Us Faq's

Login User

Destinations in Indonesia

You have to login first to rate this destination
3.83/5 (6 votes)
 

Views:177610

Home » Bandung » Wayang Golek: The Legendary Wooden Puppet Theatre of West Java

Wayang Golek: The Legendary Wooden Puppet Theatre of West Java

Fixed Dimensions

Images with fixed dimensions
images/35x35/1.jpg
  1. Hotel Preanger

  2. Boscha 2

  3. Boscha 4

  4. Boscha 12

  5. Boscha 13

  6. Boscha 14

  7. Gedung Sate

  8. Bandung Institute of Technology

  9. Hotel Savoy Homan

  10. Hotel Grand Preanger

  11. Braga Street Gallery

  12. Braga Street at night

  13. Dago

  14. Flyover Pasupati

  15. Cihampelas Street at night

 

Overview

The art of Wayang is one of the most prominent features of Indonesian culture. Renowned for its elaborate puppets, complex musical styles and deep philosophical teachings, this ancient form of storytelling flourished for centuries at the royal courts of Java and Bali as well as in rural areas. In 2003, UNESCO declared the art of Wayang as a Masterpiece of Oral and Intangible Heritage of Humanity.

 

The term ‘Wayang’ is  derived from the Javanese word for shadow (or ‘bayang’ in Bahasa Indonesia language). Nowadays, it is most often associated with both the puppet itself as well as the complete  puppet theatre performance.

 

Whilst,  for the Javanese in Central and East Java, the art is presented in leather puppets (Wayang Kulit) and theatrical play (Wayang Wong), the Sundanese of West Java, on the other hand,   developed a distinct form of Wayang called Wayang Golek or the  Wooden Puppets.

 

Unlike its Wayang Kulit counterpart that portrays two dimensional characters made from meticulously carved cowhide, the puppets in  Wayang Golek are three dimensional figures carved in  wood. These puppets are operated from beneath by rods connected to the puppet's hands while  a central control rod runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. A character is expressed through facial features and the  shape of the body, while the puppets'  movements and voices are also determined by the character it portrays. .

 

Just as in Wayang Kulit, the Wayang Golek comprises not only the art form of puppetry, its carving and performance, but also its accompanying  Gamelan Orchestra, singing, and epic story telling.

 wayang golek

The central performer is the Dalang who alone  handles the puppets while telling the story, and at the same time speaks the dialogues  in the voices of the different characters. 

 

Using the Sunda language of West Java,  the Wayang Golek tells stories taken from Hindu’s classic saga such as the Ramayana and the Mahabharata. However. there are also Wayang Golek performances that tell the stories of the  early spread of Islam in Java  by Walangsungsang and Rara Santang,  and other Sundanese tales.

 

Accompanying the Wayang Golek performance is the Sundanese Gamelan Orchestra which uses the traditional Salendro scale. The orchestra comprises of 2 saron, a peking, a selentem, a set of boning, a set of boning rincik, a set of kenong, a pair of gongs, a set of kendang percussion (1 kendang indung and 3 kendang kulanter), gambang, and a rebab. There is also a group of high pitched female singers known as sinden who sing the distinct songs of wayang.

 

According to several sources, Sunan Kudus, who was one of the 9 leaders who spread Islam on Java, known as the Wali Songo,- was the first to use Wayang Golek as the media to spread the Islam religion.

 

 It is believed that the  Sundanese Wayang Golek started to develop in the 17th century during the expansion of the new  Mataram Sultanate. Some of the oldest traditions of wayang golek in fact originated from the northern coastal regions on both sides of the border between  West and Central Java,  such as in Cirebon, Brebes, and Tegal. In the 18th century the tradition moved to the mountainous region of Priangan in West Java Province where it eventually was used to tell stories of the Ramayana and the Mahabharata in a tradition called Wayang Golek Purwa, that eventually developed in Bandung, Bogor and other surrounding regions.

 

While the  main characters that are taken from the Ramayana and the  Mahabharata epic poems are similar to those featured in the  Wayang Kulit version of Central Java, however, a number  of the punakawan (servants or jesters) were rendered Sundanese names and characteristics, such as Cepot or Astrajingga for the Javanese Bagong, and Dawala or Udel for the Javanese Petruk. These “sidekicks” with their comic characteristics also form a major appeal of West Java's Wayang Golek.

See on The Map

Wayang Golek: The Legendary Wooden Puppet Theatre of West Java

Related Destinations

Find

Related Activity

Cuisine

Cuisine When it comes to Indonesian food, diversity is definitely what's on offer. From spicy meat curries to deep fried banana to drinks of iced coconut...

read more